(Source: designersof, via hecath)
(via cutesy)
porn at its best
The most pornographic thing to ever hit my dash.
*moist*
^^hahaha
(Source: 01012012)
Night goddess nude, standing on crescent moon with a pole, balanced by an owl and night hawk, c.1895
from Early Pictures, originally from LOC
(Source: turnofthecentury, via mudwerks)
In the Shawdow, Zhaoming Wu
(Source: paperboatsandaeroplanes, via inritus)
| Beastie Boys: | Broke the racial barrier in hip-hop and reinvented what a rappers image is while touching generations of people with their different style and flow. |
|---|---|
| Wu-Tang Clan: | Showed lyrical perfection and gave metaphorical 6th senses that still aren't 100% deciphered due to it's intensity; also basing their lives as if they were lyrical warriors fighting rappers that gave a false illusion of what hip-hop really is. |
| RUN DMC: | Broke the rock and rap borders lines and created a new concept to music; combining rock and rap to change music forever while converting rock-heads into hip-hop-heads for the better by being more musically diverse. |
| N.W.A.: | Combined rapping about street-live life and overthrowing the oppressive and racist cops that judged them based on what they looked like because of their skin color and where they grew up. |
| Young Money: | Continuously rap about money and execute extremely poor delivery; make metaphors that contradict itself and virtually collapse within itself, make rap about fashion more than lyrics and talent. they all fucking suck. AND THEY'RE ALL GAY AND CANT RAP |
(via mudwerks)
(Source: theponyprincess, via hummusloversunite)
(Source: cl0seddoorsopenwind0ws, via golgibodies)
life:
In honor of Mothers Day… Grace Slick with her mother.
In one of the photos that ultimately ran in LIFE (Olson went back to Palo Alto for a re-shoot), new mom Grace dangles her daughter China by the feet in 1971. Setting up each shot of the stars with their folks “was really a matter of wanting to, whenever possible, show the contrast between how they were raised and who they were now,” Olson says. Virginia Wing, wrote LIFE, was a “soft-spoken suburban matron” —pretty much the opposite of her wild child. “Grace and I have different sets of moral values,” Mrs. Wing told LIFE, “but she’s her own person, and we understand each other.”
See more here.
(Source: my-little-time-machine, via mudwerks)
(Source: kitschyliving, via golgibodies)
Bettie Page
(via circasurvived)
